JHC15. Music and Musicians

Abstract Edward Bernard was a composer in the Boston area. He also wrote several pamphlets on sociology, religion, politics and music, as well as an unpublished manuscript of a sociological novel entitled, "Maxie the Genius." This collection contains Edward Bernard's musical compositions and writings, including an unpublished manuscript, "Maxie the Genius," and letters to editors of local newspapers and Nathan Kaganoff, former library director of the American Jewish Historical Society. In addition,...

Abstract This collection contains items relating to the Roskin, Borofsky, and Grosbayne families, with special focus on the musical contributions of Evelyn B. (née Borofsky) and Janot S. Roskin, which make up the bulk of the collection. A smaller portion of the collection comes from the Borofsky and Grosbayne families, including Jacob and Ida Borofsky, Evelyn's sister, Edith Borofsky and her husband, Mitchell Grosbayne and his brother, Benjamin. The collection includes publicity photographs,...

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This collection contains meeting minutes, correspondence, photographs, slides, playbills, and promotional materials documenting Leventhal-Sidman Jewish Community Center Cultural Art's Department, including materials on the Starr Gallery, the Jewish Theatre of New England, Creative Judaica and the Magic Arts Children's Series.

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Mary Wolfman Epstein was a singer, playwright, director, vocal teacher, and talent manager in the Boston area. Epstein worked with many Jewish and secular organizations, and she co-founded the New England Jewish Music Forum. She wrote over 30 original musicals, most of which were based on Jewish themes or individuals. This collection contains news clippings, photographs, recordings, correspondence, sheet music, scripts, and performance programs.

Abstract Morton Shanok was the cantor at Temple Beth El in Lynn (and later Swampscott) for 32 years and, after his retirement, High Holiday Cantor at Temple B’nai Abraham and Religious Cultural Coordinator at the Jewish Rehabilitation Center for Aged. He served in the U.S. Army as assistant army chaplain from 1942-1945. He was a founding member of the Cantors Assembly and helped write the curriculum at the H.L. Miller Cantorial School and College of Jewish Music of the Jewish Theological Seminary....

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The New England Jewish Music Forum was a non-profit organization created in 1958 committed to presenting performances of Jewish music in the Boston area. The organization closed its doors in 1990 after thirty-two years due to financial hardship and low membership. The collection includes meeting minutes, by-laws, and finances, as well as photographs of forum events, performance programs and brochures, correspondence, newspaper clippings, and concert files.

Abstract Percy Brand was a violinist by profession and Holocaust survivor. Born in Liepaja, Latvia on April 2, 1908, he began playing violin at the age of ten. In 1941, when the Germans took control of Latvia and other Baltic countries, Brand was concertmaster of the Riga Latvian Symphony Orchestra. After the SS Einsatzgruppen units occupying Latvia killed his first wife and two children, Brand was sent to the Buchenwald concentration camp in Germany. Playing the violin saved his life during the...

Abstract Max and Anna Kaplan immigrated to the United States from Russia between 1899 and 1902, settling in the Boston area. The bulk of the collection focuses on the activities of their sons Richard S. Kaplan, an attorney, judge, and author in Gary, Indiana, and Louis Kaplan (known professionally as Lou Carter), a jazz drummer and band leader. The collection contains official documents, including Max and Anna’s naturalization papers, news clippings concerning the two brothers, and photographs,...

Abstract Samuel Moshcovitz was born in Russia in 1907 and immigrated to the United States, where he attended college and became an accountant. He was active in several Jewish organizations, including Brandeis University and Beth Israel Hospital, until his death in 1993. The collection contains a collection of sheet music from the early to mid-twentieth century, along with correspondence from lawmakers in response to letters from Moshcovitz regarding United States policy in the Middle East. Another...

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The Yiddish Phonograph Record Collection consists of 57 records, including three named compilation albums of cantorial and holiday music. The records contain a variety of types of music, including classical, instrumental, folk songs, opera, cantorial music, and Yiddish interpretations of popular songs of the day. A few records also contain Yiddish storytelling and monologues from theater performances, and some are in languages other than Yiddish, including Hebrew, English, and Russian.